Pitti Uomo 110 Closes Under The Sign Of Resilience And Confidence
Pitti Uomo 110 confirms the strength of menswear through quality, innovation and international appeal
di Alessia Caliendo
22 June 2026

A few days after its closing, Pitti Uomo 110 delivers a clear message to the menswear industry: the market remains complex, but the quality of the offering, the strength of craftsmanship and the ability to renew products continue to attract attention.
From 16 to 19 June 2026, Fortezza da Basso hosted 740 collections and a packed calendar of special events, confirming the fair’s role as the first major international appointment of the menswear season.
Attendance figures, still being consolidated, indicate a total presence of around 11,000 buyers and more than 14,000 visitors. A result slightly down compared with June 2025, with approximately 3.5% fewer buyers, but interpreted by organisers as a significant sign of resilience, especially considering geopolitical tensions, economic instability and the challenges linked to international travel planning.
More than the absolute numbers, the quality of participation stood out. Over 5,200 international distribution and high-end retail professionals attended, coming from more than 90 countries. Leading markets included Germany, the United Kingdom, Spain, the United States, Turkey, the Netherlands, Japan, France, Switzerland, Belgium, Austria, Greece, Canada, Poland and China. A map that confirms the central role of traditional markets while also highlighting some interesting new dynamics.

Ivano Cauli, at his first edition as CEO of Pitti Immagine, particularly highlighted the strong performance of Germany, the United States, Hong Kong and Canada, together with the resilience of the Scandinavian area and Southeast Asia, including Korea, Taiwan and Singapore. Positive signals also came from Central and Eastern Europe, including Romania, Poland, Hungary and Ukraine. Some slowdowns, especially from distant countries such as Australia, appear to be linked also to rising travel costs and the need to plan business trips well in advance, in an international context marked by strong uncertainty.
For Antonio De Matteis, president of Pitti Immagine, this edition confirms the fair’s driving role for the entire menswear sector. Pitti is not only a commercial platform, but also a place where companies measure their ability to innovate, regenerate creatively and evolve their products.
From sportswear to streetwear, from urban interpretations of outdoor style to technical garments blended with design, from workwear to no-gender and a-seasonal proposals, Pitti Uomo 110 showcased an increasingly diverse menswear landscape. The common thread remains the product: materials, functionality, construction and identity.
The atmosphere among exhibitors was described as positive, with buyers considered concrete and qualified. Not just attendance figures, therefore, but professionals capable of creating business relationships and new opportunities.
The international dimension of the fair was further strengthened by collaborations with Code Korea, the Japanese consortium JQuality, the China Wave project and the participation of French and Spanish institutions. Alongside these initiatives, the special calendar brought some of the most interesting names in contemporary creative culture to Florence, from Simone Rocha to Dover Street Market by Kei Ninomiya, from Sunflower to Jiyongkim and William Palmer.


The closing of Pitti Uomo 110 therefore delivers a balance marked by caution, but also by confidence. The context remains fragile, and organisers do not hide this reality. Yet the energy seen throughout the four days of the fair shows that menswear continues to have solid tools to face change: manufacturing excellence, international openness, material research, cross-pollination between styles and a strong focus on the product.